Mondongo III: Kunst der Farbe

Kyle and Liam are taking a weekend getaway to address a major problem Liam is facing — meanwhile four women have somehow double-booked the same Airbnb.

Minsk, August 2020. Pasha and Yulia, a young married couple, leave the house at night and find themselves in the midst of peaceful protests. Everyday walk turns into a real hell, in which innocent people are victims of police brutality.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

After suffering a crushing defeat against the new CBA-R35, Koji takes his GT-R32 and trains hard in hopes of taking back his racing crown.

A part time retail worker makes a desperate attempt to make ends meet and meets her demise: by selling leggings. Underpaind, overworked, working poor retail worker Missy Engle thinks she found an answer to her money problems when a leggings saleswoman Susan enters her life.

The movie is a fictionalized account of a disgruntled cop who has been wrongly implicated in a torture video that went viral. It begins on his last night of duty, as he is about to leave for abroad for better job prospects.

Amaran ist ein Biopic, das das persönliche und berufliche Leben des AC-Preisträgers Major Mukund Varadarajran erzählt, der am 25. April 2014 bei der Operation Qazipathri in Shopian ums Leben kam.

Ein Flittchen verwirrt die Besatzung einer trostlos-einsamen Pumpstation in der Sahara und zieht damit den Zorn des eifersüchtigen Ex-Ehemanns auf sich.

Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.

Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.

The film tells the story of Grace, who is still grappling with the disappearance of her daughter five years earlier, and her husband Lukas, who is trapped in his own helpless grief. He and Grace have long since stopped communicating. As Grace confronts a series of small absurdities in her apartment building, Lukas finds himself unable to complete even the simplest of daily tasks. When something truly heartbreaking happens in a family, the deepest response is often unspoken.

A group of people inside an underground complex which possesses high tech computers which tracks world events consider all options as nuclear war is at hand, air supplies may last only eight days and Biblical prophesy unfolds.

In a village in the Sierra de Madrid, a couple feels that their children, who have since moved out, have forgotten about them. To get them back, they will pretend that they have won the lottery and that they are multimillionaires.

Paul Schmidt sent me a set of five poems from a series called WAR SONGS. He treats the war in a brilliant and sarcastic way, evokes his seduction. Mark Bennett's score is itself provocative, languorous, and close to a waltz. The whole thing is a series of songs cast in the mode of melodrama, that is to say music in tandem with a narration. My contribution lies in the superimposition of war scenes, coupled with what I called an image of Gabriel: a young and handsome soldier, a personification of the good warrior, a protective image. He gives off strong impressions throughout the duration of the film. She makes him appear sometimes active and aggressive, sometimes asleep or beckoning. The film uses footage from the Vietnam War and World War II. They show soldiers marching, tanks rolling. Explosions reveal in passing our dear “Gabriel”.

1920. Western countries are trying to use the Bukhara khanate — a former protectorate of tsarist Russia — to fight the Soviet regime. Arrived in Tashkent by M. V. Frunze and V. V. Kuibyshev to organize the masses to fight counter-revolutionaries and agents of foreign intelligence services.

Vello moved to a secluded swamp island 30 years ago. He left his career and city life to live in harmony with mother nature. Vello makes a living from beekeeping and hunting, his life flows in the same rhythm as the nature around him.

In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.

Der kleine Junge Ichiro hat ein schweres Leben: Seine Eltern haben so gut wie nie Zeit für ihn und er wird ständig von anderen Jungs gehänselt und geärgert. Wenn er alleine ist, fliegt er in Gedanken mit einem Flugzeug auf die Monsterinsel. Dort trifft er sich mit Minya, dem Sohn von Godzilla. Sie sehen zu, wie der große Grüne es mit einem Monster nach dem anderen aufnimmt. Minya möchte auch so sein wie sein Vater, bekommt allerdings immer große Angst, wenn er gegen seinen Rivalen Gabara antritt. Eines Tages aber überwindet er seine Angst und stellt sich entschlossen seinem Widersacher. In der Realität wird Ichiro von zwei Verbrechern entführt. Nun will auch er seinen Mut beweisen und nimmt es mit den Gangstern auf...