Peter Becker

Herschell Gordon Lewis: The Godfather of Gore

The Great Dictator: The Clown Turns Prophet

Five Directors On The Battle of Algiers

Paul Schrader: Man in a Room

Making Badlands

Toil And Trouble: Making 'Macbeth'

Seven Samurai: Origins and Influences

The Making of 'The Darjeeling Limited'

Ralph-E: The Art of the Color Script

Robert Downey: Moment to Moment

Making Mishima

Way Out on a Limb

Matthew Polly On "Game Of Death"

The Battle of Brazil: A Video History

Andrew Cohen on Crisis and Its Outtakes

Powerful Patterns: David Bordwell on Notorious

Lucas, Coppola & Kurosawa

'Fail-Safe' and the Cold War

A Visit to the Pixar Living Archive

George Stevens Jr. On 'Swing Time'

Making The Worst Person in the World

Shooting 'Blood Simple'

Passion Project

Table Scraps: Notes on Babette's Feast

Undressing a Legacy

Hawks on Hawks

The Way of Folk

Fellini's Homecoming

Introducing My Father, François Truffaut

Sharon Malone and Eric Holder

Dietrich Icon

Dreams and Burdens

Jackie Coogan: The First Child Star

James L. Brooks: A Singular Voice

Agnes V. by Jane B.

CHE and the Digital Cinema Revolution

Reviving Harry Lime

A Beautiful Demon: Kazuo Koike on 'Lady Snowblood'

Art-House America: Austin Film Society

Ron Briley on 'A Face in the Crowd'

The Highest Standards — Shih Chun on A Touch of Zen

Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss

Where It Began: The Origins of WALL·E

Uncovering The Naked City

Our Paul: Remembering Paul Robeson

Building the Inferno: Nobuo Nakagawa and the Making of 'Jigoku'

Kurosawa and the Censors

Poitier's Walter Lee

Lighting Up with Hildy Johnson

Now is Now: Wim Wenders on 'Perfect Days'

Marxist Poetry: The Making of The Battle of Algiers

In Full Swing

Men of Mystery

The Battle of Algiers: A Case Study

Emotional Uncertainties

The Reluctant Lead — Hsu Feng on A Touch of Zen

The Film That Warped Too Much: A Restoration Demonstration

Reflecting On Take Out

(There Is No) Cure

Life as a Dream

Restoring the Apu Trilogy

John Bailey on Freddie Francis

Producing Mishima

Weimar on the Pacific

Tadao Sato on Ozu's The Only Son

Daniel London and Will Oldham on Old Joy

Evan Dalton Smith on Andy Griffith

Underworld: How it Came to Be

Constructing a House

Giving Up the Ghost

Revolutions Per Second

Glamour and Tension: John Bailey on Notorious

Anatomy of a Scene: The Plant

Living 'Lord of the Flies'

A.W. A Portrait of Apichatpong Weerasethakul

Discovering William Greaves

Art-house Martial Arts — Tony Rayns on A Touch of Zen

Miranda July: Where it Began

Projection/Admiration

Hans Fromm on 'Phoenix'

Homay King on 'Shanghai Express'

Miles Goes Modal

Babe Ruth Footage

Making Sweetie

Mia Mask On Bojangles Of Harlem

Functions of Film Sound

On Camera: Fifteen Apollo Astronauts and Their Experience of a Lifetime

Poisoned Romance

Masahiro Shinoda on 'The Human Condition'

Watching Gena Rowlands

Caroline Champetier and Arnaud Desplechin: A Conversation about 'Shoah'

In Search of Ozu

Robert Drew & Associates at the Museum of Tolerance

A Very Tricky Balance

Working with De Sica

Jay Cocks and Farran Smith Nehme on 'The Heiress'

Coming to America: Jan Troell on 'The Emigrants' and 'The New Land'

A Touch of Art — Ang Lee on King Hu