La Pescatora

A young photographer's home is haunted by it's former residents.

A young theatre actress fights for her uncertain career while having to confront the personal sacrifices that will arise from it.

Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

Mammy Two-Shoes droht, Tom aus dem Haus zu werfen, wenn er ein Chaos anrichtet. Jerry sieht eine Gelegenheit, sich von seiner katzenartigen Nemesis zu befreien.

A hungry spider is trying to catch a fly for dinner. Both pull pranks on each other until the fly is finally caught.

Investigator Yonezawa is searching images from the Tokyo Big City Marathon, targeted for a terrorist bomb attack. Within the images he sees his former wife Kazuko, and the following day he learns that dead body that looks like her has been discovered.

Why is social trust breaking down, and how do we find it again? This is the question at the heart of Leviathan. Directed and produced by Alexander Beiner, it draws on sociology, myth, psychology, economics and systems theory to delve into the deep code of culture and make sense of the times we live in. It’s a journey that invites the viewer to confront the shadows lurking at the heart of our systems, and points the way toward hope, healing and action.

A look at the life and work of controversial rock musician and cult hero, Wesley Willis.

After Moishe's death, family and friends sit Shiva in Mexico City. During seven days, secrets will be disclosed.

Der couragierte Uday und sein bester Freund Mohan trainieren hart, um ins Polzeicorps aufgenommen zu werden. Ihre Freude ist groß, als sie ihr Ziel erreicht haben – sie treten in den Polizeidienst und dienen von nun an voller Elan dem Wohl der Allgemeinheit. Das Glück scheint für Uday komplett, als er sich auch noch in die schöne Kaveri verliebt. Bei einem nächtlichen Spaziergang geraten Uday und Mohan an einen betrunkenen Pöbler. Es kommt zum Streit, in dem Uday den Typen übel verprügelt. Er ahnt nicht, dass es sich bei dem Mann um den korrupten Polizeiinspektor Shankar handelt. Der erklärt Uday daraufhin den Krieg und lässt sich von nichts und niemandem aufhalten.

This innovative and spectacular 3-part series shows how examples from nature can make human beings and their machines faster, smarter and more efficiently. Whether in ice deserts, under thousands of meters of water, or on the highest mountains in Order to survive, animals need the conceivable best, toughest and most sophisticated equipment. Over the past three and a half billion years of evolution always had it develop new, more crafty plans and recipes. When we observe people's nature, therefore we find many of our own toughest technical problems already solved. We just have to look closely.

Nam June Paik ist ein Fixstern der Kunstavantgarde des 20. Jahrhunderts und wohl der berühmteste koreanische Künstler der Moderne. Seine bahnbrechenden Arbeiten waren maßgeblich für den internationalen Durchbruch der Meidenkunst in den 1960er und 1970er Jahren. Schon früh hatte er die Vision einer Zukunft, in der „jeder seinen eigenen Fernsehkanal haben wird“. Dank Social Media sind seine Visionen heute unsere Realität. Nun bringt die Regisseurin Amanda Kim zum ersten Mal die Geschichte von Paiks rasantem Aufstieg in der Kunstwelt auf die Leinwand: von seiner Ausbildung in München und seinen Anfängen in der Fluxus-Bewegung bis hin zur Auswanderung nach New York und seiner Etablierung als Pionier der Videokunst.