UFC 140: Jones vs. Machida

John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.

Dad catches a ball badly, injuring his finger. His guttural scream instantly hushes the entire sports complex. Sarah is paralysed. She barely recognises him; red faced, clutching his hand and crying. In the sanctuary of the locker changing rooms, Sarah explores and tests theories about what has happened with her Dad. She questions who her father is while struggling to grasp the concept of pain, both inside and out. Having found an apparent conclusion, Sarah returns to an apologetic Dad, and decides to put his promises to the test.music:Annette Focksproducer:Tobias Rosen, Heike Wiehle-Timmproduction:Relevant Film, Warner Bros Entertainment Germanybacking:Deutscher Filmförderfonds (DFFF) (DE), Schleswig-Holstein Film Commission (DE), Filmförderungsanstalt (FFA)(DE)distributor:Warner Bros Entertainment Germany

Hopkins‘ Karriere erstreckt sich über mehrere Jahrzehnte, weshalb wir auch auf viele Interviews zurückgreifen, die er im Laufe seines Lebens gegeben hat, um ihn in den jeweiligen Zeitkontext einzuordnen und seine Rolle in der Geschichte des Kinos besser zu verstehen. weil er weit davon entfernt war, den Trends zu folgen. Er gehörte nie einer Filmbewegung an; Er ist ein Chamäleon, das schon immer die natürliche Schauspielerei bevorzugt hat, statt „nicht schauspielerisch“ zu sein, als Methodenschauspiel noch in Mode war.

War stories about family, ethics and honor include the true story of two U.S. Marines who in a span of six seconds, must stand their ground to stop a suicide truck bomb, a Navy Corpsman who attempts to hold on to his humanity, and a WW2 soldier who gets separated from his squad and is forced to re-evaluate his code.

Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.

Das Leben von Rosa, einer hochgeschätzten Fachkraft, wird durch den Tod ihres Großvaters Marcelino auf den Kopf gestellt.

Joy, a secretary at a large multinational company, has an online shopping problem, likes to read adventure novels and watch travel and adventure shows. She daydreams about living a life of adventure.

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.

Asdrúbal is the zoo sweeper, the handyman. One day, when he was feeding the turkeys, he noticed that one of them was talking.

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.

This documentary looks at the Danish resistance movement's execution of 400 informers during the Nazi occupation and the ensuing cover-up.

A video work by Nicky Hamlyn

Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.

Don Poli, the patriarch of a family embedded in politics, faces the change of party in his state - after a hundred years in power - losing all his privileges. Humiliated and angry, he threatens to disinherit his family and leave to rebuild his life. This forces his children (Kippy, Ramses and Belén) to take extreme measures to ensure their future, causing everything that could go wrong to turn out worse.

Weil er seine Tochter wiedersehen will, begibt sich Artan (Alexej Manvelov) zum Arbeitsort seiner Ex-Frau Louise (Alma Pöysti) in ein Krankenhaus und nimmt sie als Geisel. In die Verhandlungen schaltet sich auch der Polizist Lukas (Fares Fares) ein, der sich schließlich gemeinsam mit Artan und Louise auf einen emotionsgeladenen Roadtrip durchs ländliche Schweden begibt. Denn deren Tochter Cassandra (Amicia Heijbel) befindet sich in Obhut von Louises Eltern und dorthin soll die Reise führen, während draußen die Sonne brennt und Spezialeinsatzkräfte dem Auto mit Geiselnehmer und Geiseln stets auf den Fersen sind.

Ein animiertes Roadmovie, das in der weiten und kargen Landschaft der australischen Nullarbor-Ebene spielt.

Die Jagd ist noch nicht vorbei: Ethan Hunt und sein Team von der legendären Impossible Mission Force (IMF) sehen sich weiterhin einer extrem mächtigen und die Welt bedrohgenden künstlichen Intelligenz, die nur die „Entität" genannt wird, gegenüber. Dafür müssen sie das den Namen „Sewastopol“ tragende russische U-Boot finden, dem eine Schlüsselrolle in diesem brodelnden Konflikt zukommt. Doch mit diesem Ziel sind Hunt und sein Team natürlich nicht alleine: Auch Gabriel, letztlich ein Handlanger der Entität, sucht fieberhaft nach der Sewastopol. Denn für ihn ist sie der Schlüssel, der sozusagen das Tor zur Hölle auf Erden öffnet, mit dem die Welt ins Chaos gestürzt werden kann. Gabriel scheint in diesem erbitterten Kampf eine Geheimwaffe in der Hinterhand zu haben, denn er und Hunt haben offenbar eine gemeinsame Vergangenheit, die den IMF-Agenten nun endgültig einholt...