Way Out

Der Gangster Oskar verliebt sich vor seiner Entlassung aus dem Gefängnis in seine Gefängnispsychologin, die ihn dazu bringen möchte Konflikte durch Gespräche zu lösen. Als Oskar sich dann endlich seinem Hobby, dem Kochen, und nicht mehr mafiösen Geschäften widmet und ein Buch mit dem Titel „Secrets – Meine Geheimnisse…“ herausbringen möchte, führt dies zu alten Missverständnissen.

This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…

It's a beautiful day in Slottsskogen, Gothenburg idyllic city park, when suddenly the unthinkable happens - gunfire amidst all people. Two gangsters shooting game against each other and a large police operation starts. The conflict grows rapidly to involve several gangs from Gothenburg underworld. GSI switched to try to identify a new thread which proves to be both larger and better armed than any other. The only clue is a tattoo on one of the killed gang members.

“I have filmed my mother’s house and her garden. The shadows play an essential part in the mixture of loneliness and peace that exists here. The seasons move from the garden into the house, projecting rich diagonals in the early morning or late afternoon. Each shadow is a subtle balance of stillness and movement; it shows the vital instability of space. Its special quality opens a passage to the subjective; a voice within the film speaks to memory. The walls are screens through which I pass to the inhabited privacy. We experience a place through the perspective of where we come from and hear another's voice through our own acoustic. The sense of place is never separate from the moment." – R.B.

Dramatic TV two-parter about a married doctor, who falls in love with a mine deterrent in Vietnam.

A story of "La Pasta", a renowned prima donna, and her extraordinary rival.

A cop teams up with a pimp to catch a killer, who castrates his male victims.

Young nurse Satu Santala falls in love with Somali medical student Adam Osman. When Satu's pregnancy is revealed, the couple encounters racism among their friends and family, and Satu's alcoholic colleague Pena, who persecutes her in the name of love, proves to be a danger to the couple's relationship.

A husband suspects his wife of an affair. The wife's cousin borrows a shawl to meet her lover in the garden. The husband spies the couple embracing, and, thinking it's his wife, he strikes the lover. The thought that he has killed a man temporarily unhinges the husband's mind until he can be convinced that the lover is still alive.

Two slackers try to find out what is happening to missing people in their town.

Die temperamentvolle Ungarin Ilona verliebt sich in den Schwager ihrer Freundin Otti, den eingefleischten Junggesellen Paul. Um ihm näher zu kommen, lässt sie sich von Otti als Stubenmädchen anstellen und weckt als solches nicht nur Pauls Interesse, sondern auch das von Ottis Mann Max. Der Hausdiener Franz verfällt dem Glauben, Ilona sei seine Tochter, und als Paul entdeckt, dass er das hübsche Stubenmädchen liebt, hält er bei Franz um ihre Hand an. Der lernt nun seine wirkliche Tochter kennen und hält Ilona für eine Schwindlerin.

Two unsuspecting thieves break into the wrong house and must face a sinister home owner.

During the war, the Germans exported breeding horses from Russia, among which was Ermakov’s favorite. After the war, he managed to find her and return her to Russia, but the tribal certificate was lost. And now, forty years later, the granddaughter of this horse - the magnificent race mare Secunda - is being sold for pennies at an international auction to a certain Baron von Ritter. Ermakov guesses about the true owner of the “lost” document and, in the end, returns it to himself.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Mamacita is an extravagant Mexican beauty queen living in her own kingdom in company of her loyal servants: gardener, chauffeur, chef, housekeeper and nurses. The 95-year-old lady has turned her house into a castle, hiding the open wounds of a prominent Mexican upper class family behind its stone walls. When José Pablo went abroad to study film, Mamacita made him promise to return to Mexico one day to make a film about her life. He conquers his granny's empire like a Trojan horse, discovering the haunted spirits of his own past and the lack of love that his entire clan has suffered from for generations.

A boy tries to understand why he keeps dreaming about the girl dying, only to understand her death is inevitable