1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.
Arthur (Evan Marsh) und seine Clique stehen kurz davor, sich heute mal so richtig die Lichter auszuschießen und morgen dann den schlimmsten Kater ihres jungen Lebens zu erleben. Schließlich hat Arthur gerade das Internet erobert, indem er die Schallgrenze von drei Millionen Followern seines Online-Video-Channels durchbrochen hat. Wenn das kein Grund zum Feiern ist. Doch dann besitzt das Universum tatsächlich die Frechheit, ihm sein Jubelfest und die schöne Partystimmung zu verderben. Was ist passiert? Nicht weniger, als dass von einem Moment auf den nächsten plötzlich und ohne Vorwarnung alles Wasser auf dem Planeten verschwunden ist – einfach weg! Zusammen mit seinen Freunden und einem verwundeten Polizisten (Trevor Hayes), den sie beim Plündern eines Supermarkts aufgelesen haben, findet sich der eben noch gefeierte Social-Media-Star nun inmitten eines apokalyptischen Überlebenskampfs.
A group of six friends are out in the rural south on a deer hunt when they start hearing strange noises coming from the woods. An investigation of the sounds leads them to an old Confederate graveyard, which suddenly begins sprouting Rebel zombies. Like the living dead in every other movie, these zombies are hungry for human flesh and soon set to chowing down on the hapless hunters.
Beth, an insecure twenty-something, becomes obsessed with an insidious filter, leaving her to question true beauty.
Michael Ironside headlines the cast as Jack, a Denver cop investigating the case of a murdered army sergeant. Things heat up when we learn that the death may be linked to a massive weapons trading scandal and, even worse, when Jack's friend Jennifer is kidnapped. The bad guys better beware now things are personal.
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
A snow leopard breaks into the sheep pen of a nomad and kills nine rams. Father and son then argue: the son insists on killing the snow leopard, but the father insists on releasing it.
Launder Run tells the story of Jake, a man returning to his gritty hometown after years away, carrying the weight of a troubled past. The film opens on a rainy Saturday afternoon as Jake trudges through a bleak estate, visibly exhausted and clutching a plastic bag. Arriving at his sister Sue’s chaotic, unkempt flat, he confronts the ruins of his old life—a dirty fridge, a cluttered bedroom reduced to storage, and the ghosts of a once-close family. Seeking solace, he revisits his old pub, a place teeming with memories. As he steps inside, the bartender recognizes him with shock, hinting at Jake’s mysterious past and the reasons for his long absence. “Lounder Run” explores themes of homecoming, redemption, and the unshakable grip of one’s origins.
Sam Morril takes the stage, or roof more rather, in this post pandemic self funded special.
A young filmmaker accidentally claps her idol’s mystical clapperboard, throwing the two on a frantic journey through film genres and beyond.
After a rough night out protesting in the city, Kosta and Maja fall in the hands of the police. Their lives will change forever.
When a group of Urban Explores get the chance of a lifetime to explore one of the world's most haunted asylums, they encounter something truly evil, that will not let them leave and will push them to the edge of sanity.
Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.
Parrot sets forth for a nest. But he foots. Appears he is afraid to fly, because he never tried.
A pregnant woman is help captive by her troubled father.
From 'The Workshop of the Film Form'.
The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.
Did the Peruvians cross the sea? The filming of a Norwegian archaeological expedition to the Galapagos islands in 1952, lead by Thor Heyerdahl. A continuation of the Kon-Tiki expedition.
Ursprungsland | VN |
Original Sprache | vi |
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