Doku über eine Zufluchts-Station für Obdachlose in Marseille.
At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
In 1988, Andrew Wight and his team went on to attempt a record cave dive in Pannikin Plains Cave on the Nullarbor Plain, where flash floods turned the expedition into a life-or-death adventure. This was captured on film by his support team, and eventually published as Nullarbor Dreaming. This short film launched his career as an international film-maker and culminated in him becoming James Cameron's right-hand man on many 3D and other film projects. Sanctum was inspired by his Nullarbor experience
1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.
After being bitten by a radioactive spider, Peter Parker uses his new powers to locate and catch the killer of his beloved Uncle Ben. First of the three short films made by "The Trauma Group" (Naxo Fiol, Chema Ponze, Gabi Tintorer) on the Marvel character between 1993 and 1996. This is the first film made in Spain, shot without more budget than the spent in the costume of the hero (60,000 pesetas of 1993) and shot with a video-8 camera of the time, so the image and the sound, together with the passage of time make the quality of both very poor. Halfway between the experimental, psychotronic cinema and avant-garde cinema, it´s a very extravagant version of the character, softened in the second incursion of the Trauma Group in the character: "Peter Parker is Spider-Man" (1996), closer than this to the original comic.
A young filmmaker accidentally claps her idol’s mystical clapperboard, throwing the two on a frantic journey through film genres and beyond.
An atmospheric venture into slow cinema, following Rose, a down and out gay prostitute, trapped in the minutiae of his quiet and isolated life.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
The Time Lords send the Doctor and Jo on a mission to deliver a sealed message pod to an unknown party aboard a Skybase orbiting the planet Solos in the 30th century. They are caught quickly in a power struggle between the cruel Marshal of Solos and the young Solonian Ky over the future of Solos - a future that hinges on the contents of the message.
Oliver's Divine Delivery Theory is put to the test when he and the POstables seem to be unable to deliver a damaged letter from a military veteran that's a matter of life and death.
This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.
Im beschaulichen Glottertal und im Hüsli, dem Haus von Familie Brinkmann, herrscht fröhliches Treiben, denn ein großer Tag steht bevor: Dr. Benjamin Brinkmann und Sophie Schwarz, ebenfalls Ärztin, werden heiraten. Zum Polterabend reisen natürlich die Eltern, Klaus und Christa Brinkmann aus Freiburg an, die noch nicht ahnen, dass Benjamin alle alten Kollegen der „Schwarzwaldklinik“ zum Poltern eingeladen hat. Das soll die Überraschung des Tages werden. Eingeweiht ist nur Carsta, die ehemalige Haushälterin der Brinkmanns, die noch einmal einspringt. Benjamin Brinkmann ist in die Fußstapfen seines Vaters getreten und arbeitet als Assistenzarzt in der „Schwarzwaldklinik“. Kein leichtes Erbe, wie er täglich feststellen muss. Denn für Benjamin stehen, wie früher bei seinem Vater, die Patienten mit ihren Ängsten und Nöten im Mittelpunkt seiner Arbeit. Eine Einstellung, die nicht immer mit der der Klinikführung, die unter dem Druck der Einsparungen steht, in Einklang zu bringen ist.
Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.
A man's long yearned for wish is rumbled by the cleaning lady
Dokumentarfilm über den in Florenz betriebenen "Calcio Storico", eine mittelalterliche, recht brutale und mit hartem Körpereinsatz arbeitende Variante des Fußballs. Bei einem großen Turnier kämpfen vier Mannschaften der historischen Stadtviertel gegeneinander. In diesen Teams vermischen sich die sozialen Schichten wie zu keinem anderen Anlass. Der Film bietet Einblick in dieses archaische "Männlichkeitsritual" und stellt einige Protagonisten vor.
FAMILIA is the story of the Peruvian Barrientos family trying to keep together through 35 years of continuous struggle against poverty. Love and cohesion is put to the ultimate test when 50 year old Nati Barrientos leaves her family for immigrant work in Spain. Will she be able to fulfill her dreams without destroying what is most precious to her - FAMILIA.
"I picked up Stan and Jane Brakhage at the airport and drove them to San Francisco State College where Stan spoke about his films to the student body. I was fascinated with Jane. She was so interested in the world around her while Stan seemed caught up only in his ideas. She picked seed pods from trees and plants and told me she had written a lexicon of dog language. She was so much more complex than Stan's portrayal of her in Window Water Baby Moving (1958) that I decided to make a documentary about her for my graduate project." — Barbara Hammer 16mm film, Color/Sound
A honest stranger arrives in Devil's Gap and helps the local sheriff expose the murderer of a rancher.
In a dystopian future, Matja and his family face an unresolved tragedy. Despite losing his faith and struggling to find his true self, the dawn breaks over the valley, revealing that the only way to deal with trauma and evil is to face them head-on.
IMDB Bewertung | 5.9 |
Rotten Tomatoes Bewertung | N/A |
Ursprungsland | FR |
Original Sprache | fr |
Produktionsländer | Algeria, France, Lebanon, Qatar |
Produktionsfirmen |