Kompot Na'alyim

Diese 'History' Dokumentation untersucht die ultimativen Kämpfer der Urgeschichte: Schon seit mehr als einhundert Jahren erforschen Historiker und Wissenschaftler die Urgeschichte. Die Dokumentation zeigt die ultimativen Kämpfer dieser einzigartigen geschichtlichen Periode - gigantische Dinosaurier, die die Erde vor Millionen von Jahren beherrschten. Paläontologen untersuchen die Schlachtfelder der gnadenlosen Giganten und erhalten dabei erstaunliche Erkenntnisse darüber, in wie weit Beweglichkeit, Teamkoordination and der Angriff im richtigen Moment für die Dinosaurier überleben bedeutete. Jede Episode analysiert höchstdetailliert die räuberischen Kämpfe und enthüllt damit eine rücksichtslose Welt, die weitaus kalkulierender - und komplexer war, als bislang angenommen wurde.

After being fired by his ruthless boss, the dangerously vulnerable David is forced to confront the looming loss of his terminally ill mother, Annie, as well as his own relentless demons.

In a night of killer comedy, Bill Burr hosts a showcase of his most raucous stand-up comic pals as they riff on everything from COVID to Michael Jackson.

Someone from another planet crashed on Earth and evil is chasing him, and then love appears, and it defeats evil through an amulet.

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

This new adventure film tells of the adorable twin brothers Upin and Ipin together with their friends Ehsan, Fizi, Mail, Jarjit, Mei Mei, and Susanti, and their quest to save a fantastical kingdom of Inderaloka from the evil Raja Bersiong. It all begins when Upin, Ipin, and their friends stumble upon a mystical kris that leads them straight into the kingdom. While trying to find their way back home, they are suddenly burdened with the task of restoring the kingdom back to its former glory. With help from Mat Jenin and Belalang, Upin, Ipin and their friends must overcome a series of challenging obstacles in this action-packed, magical and humorous adventure film produced by Les’ Copaque Production Sdn. Bhd

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.

On July 9th GCW presents Fight Club Houston straight from Premier Arena in Houston, Texas. The lineup is almost completed, check it below: AJ Gray vs Bryan Keith Nick Gage vs Sadika Joey Janela vs Dante Ninja Mack vs Jack Cartwheel Effy vs Gino Jimmy Lloyd vs Carter Lucha Scramble .... more to be added soon!

Returning wounded from the war Maksym was overcome by self-doubt, in his physiological state. He is undergoing rehabilitation. He loses contact with his wife. He is tormented by dreams. In one of his dreams Maksym goes to the island to catch a lot of fish, as the paramedic advised him. Maksym takes a boat, net, dynamite from the best man and sails to the island.

During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?

The life and career of one of comedy's most inimitable modern voices, Mr. Gilbert Gottfried.

A movie that plays during the opening of video game Sonic CD.

Groot malt ein Familienportrait von sich und den Guardians und bemerkt, wie chaotisch der künstlerische Prozess sein kann.

The Quartzers, calling themselves the Wardens of Time, appear after Sougo Tokiwa has collected all of the Heisei Era Ride Watches. A grand conspiracy behind the birth of the King of Time becomes ever clearer...

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

Making-of zu James Cameron's Avatar. Der 22 minütige Clip zeigt interessante Einblicke in die Arbeiten am Set.

Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.

Fight Club was a two-day professional wrestling pay-per-view (PPV) event promoted by Game Changer Wrestling (GCW) that was held on October 8 and 9, 2022. Both nights of the event were held in Atlantic City, New Jersey; night 1 of the event took place at the Garden Pier at the Showboat while night 2 was held inside Showboat Hotel itself. The event aired on PPV via the FITE TV service.

Der russische Regisseur Michail Romm versucht anhand von historischem Bildmaterial aus der Zeit des Nazi- Regimes am Phänomen des Faschismus das unmenschliche Antlitz sichtbar zu machen und den Mechanismus des Betruges an Millionen von Menschen aufzudecken. Er analysiert die Wurzeln des Faschismus und dessen verhängnisvollen Einfluss auf die menschliche Psyche. Sein bewusst eingesetzter, persönlicher Kommentar verleiht dem Angriff der Bilder auf Entstehung und Erscheinungsformen des Faschismus stärkeren Ausdruck. Mit Hilfe der zusätzlichen Worte unter Anwendung rhetorischer Mittel in seinem Kommentar werden die Zusammenhänge zwischen Bild und Kontext hervorgehoben und verdeutlicht, um andere Interpretationen auszuschließen. Romms Methode der filmischen Montage folgt der rhetorischen Figur der Ironie und ist Ansatz und Versuch zugleich, durch Aufdeckung und Zerstörung der Sehkonventionen des Zuschauers, die Geschehnisse des Zweiten Weltkrieges besser begreifbar zu machen.