Maedeh/Mina

"Always Half Way There" was a concert by Daniel Pitta and Kino Lopes held at Alfinete Galeria at the end of 2022, which featured the artist Ralph Gehre, whose works were in display as part of the painter's solo exhibition. Alongside Pitta's soprano and Lopes' percussion set, Gehre recites Beckett's poem "what is the word".

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

A beautiful young concert pianist is torn between her attraction to her arrogant but brilliant maestro and her love for a farm boy she left back home.

Popeye drops a TV off at the orphanage; the program that comes on is a boxing match he's supposed to be in, so he dashes off. The fight is against the champ, who is huge. Popeye gets pummelled in the first round, but his fighting spirit materializes and advises him to outwit his opponent. In the second round, he does so. The champ then uses a light socket to "burn out" Popeye so he can't outthink him, and (as with the rest of this pun-filled match) "knocks him cold", turning him into a block of ice. The orphans feed Popeye his spinach right through the TV set, and he comes back to knock the champ through the screen.

This innovative and spectacular 3-part series shows how examples from nature can make human beings and their machines faster, smarter and more efficiently. Whether in ice deserts, under thousands of meters of water, or on the highest mountains in Order to survive, animals need the conceivable best, toughest and most sophisticated equipment. Over the past three and a half billion years of evolution always had it develop new, more crafty plans and recipes. When we observe people's nature, therefore we find many of our own toughest technical problems already solved. We just have to look closely.

Two boys set out to find their hero

The stooges, tricked by some con men into selling memberships to a phony duck hunting club, sell all the memberships to the police department. When the crooks skip town, the stooges are stranded at a duck-less lake with a lodge full of cops.

Two unsuspecting thieves break into the wrong house and must face a sinister home owner.

A woman and her child are kidnapped by her lover and plans revenge on him.

After 95 years of comfortable living, Mickey finds his world turned upside down and must face his deepest fears. Will he emerge on the other side or lose himself trying?

Die temperamentvolle Ungarin Ilona verliebt sich in den Schwager ihrer Freundin Otti, den eingefleischten Junggesellen Paul. Um ihm näher zu kommen, lässt sie sich von Otti als Stubenmädchen anstellen und weckt als solches nicht nur Pauls Interesse, sondern auch das von Ottis Mann Max. Der Hausdiener Franz verfällt dem Glauben, Ilona sei seine Tochter, und als Paul entdeckt, dass er das hübsche Stubenmädchen liebt, hält er bei Franz um ihre Hand an. Der lernt nun seine wirkliche Tochter kennen und hält Ilona für eine Schwindlerin.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

Prince of the Crimson Void the ninth film by Denver auteur filmmaker Dakota Ray-is a gothic, Absinthe and drug induced cinematic voyage into evil and decay.

Dramatic TV two-parter about a married doctor, who falls in love with a mine deterrent in Vietnam.

Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.

The seamstress Manuela, Tati's single mother, moves from the suburbs to Copacabana but faces severe financial difficulties. A friend of Manuela's sometimes fills in for Tati's father, giving the girl temporary happiness.