अमर कॉलोनी

Karam, a small-town boy from Mathura, is struggling every day to pay his father's debt, who has borrowed money from nearly everyone on the planet. On the other hand, he is deeply in love with Pari, whose father has kept the conditions to marry her. To make ends meet, Karam dons as Pooja, which creates wild chaos and a comedy of errors.

A family faces a difficult farewell after breakfast one morning.

National Lampoon's Men in White is a straight-to-television satirical parody of contemporary science fiction movies, mainly spoofing Men in Black and Independence Day. It debuted in 1998 on the Fox Family Channel.

A collective of office girls and their tribulations in the male world, female solidarity, the place of women in the labor and civil rights struggles and the conflict between love and work.

Harnek Singh alias Nek (Kulbhushan Kharbanda) is an honest farm worker who works hard for his employer, landlord Jagirdar Joginder Singh (Amrish Puri). Nek is in love with village belle Kammo (Rama Vij) and hopes to marry her after he accumulates enough wealth and some land. But one day Jagirdar, unable to conceive a child with his wife Jassi (Sushma Seth), sets a plot into motion. While Nek is away on a work assignment, he will pursue Kammo. After the landlord rapes Kammo, secrets, trauma, and the twists of love and fate reverberate through multiple generations.

Filmed Live At The Salt Palace, Salt Lake City, Utah, U.S.A. A DVD copy of the VHS Tape that is out of print.

Her father fled Mao's Cultural Revolution, going to Hong Kong. Not long after, he joined the great Chinese exodus to the West and started a restaurant in Maastricht. But was his personal story really so closely interwoven with the history of China, Yan Ting Yuen wonders in this family portrait.

Bartolomeo Pagano as Maciste in Maciste in the Lions' Den. A Italian silent from 1926.

Gil Giles is a former small track racer, whose dreams of the big time came crashing down one night at the track. Now, Gil spends his days drinking and hustling anything he can flip for cash with dreams of making a comeback one day.

When the movie opens Devan(Arun Pandiyan) murdering photographer Jeeva(Thalaivasal Vijay) in cold blood in his house. Jeeva strategically positions a video camera to capture the impending murder but Devan never shows his face to it. And when Jeeva shouts out the name of his killer before dying, the audio is lost at that point. While the police search for the killer, Devan zeroes in on Chetta (Saikumar) as his next target. He follows Chetta to Chandigarh but is apprehended by CBI officer Ratnavel(Vijayakanth). But once Ratnavel realises Chetta's true nature, he begins to help Devan, even hiring successful lawyer Chakravarthy(Karthik) to fight for him. The flashback shows that Devan's sister (Kausalya) was killed by Chetta, Devan wants to avenge the death of his sister. In the climax, villain is killed.

A strange flying being has arrived in a remote town in Mexico, carelessly flying too low, crashes into a pole, and damages its wings. So he must remain in the town until he is healed. Meanwhile, in order not to get bored, he decides to sow terror among its inhabitants. As the days go by, the strange being that is none other than the fearsome "CHUPACABRAS" realizes that the only thing that inspires them is laughter. El Chupacabra discovers to his horror that he fell into a town of madmen, who led by the "dangerous" Sheriff (Manuel "Flaco" Ibañez) undertake persecution against him. The Chupacabra escapes to a nearby ranch where he kidnaps ¨La Paty¨ (Paty Muñoz) the owner's daughter, unleashing the wrath of ¨Condorito¨ a lepero and mischievous altar boy (Paty's boyfriend) who joins the crazy chase.

Pro Wrestling NOAH caps off a thrilling year with their final Budokan event of 2005.

Harris, his wife, his mistress and his half German sister arrive with a boat to a distant Aegean island, assessable only by boat. The boat man forgets them and they are stranded there. Harris gets stung by a bee, and he develops an allergy. He gets terribly swollen and his alter ego emerges. Suddenly all secrets, hidden truths and feelings come into the open.

In his debut film, assembled entirely from home video footage which he and his partner Tracey shot over the course of a decade, Barker tells the fascinating story behind their journey to conceive.

Der Jungunternehmer Barry Egan wird in der Arbeit durch die häufigen Anrufe seiner sieben Schwestern gestört. Als er zum Familientreffen bei einer der Schwestern eingeladen wird, rastet er aus und zertrümmert einige Terrassenscheiben. Am Abend will er sich durch Telefonsex entspannen. Er gibt einer entsprechenden Agentur seine Telefonnummer und seine Kreditkartennummer, bald wird er von einer Frau zurückgerufen. Am nächsten Morgen ruft die Frau erneut an und verlangt zusätzliches Geld von Egan. Als er ablehnt, droht sie, seine Freundin anzurufen. Ihr Chef schickt ihm vier Brüder hinterher, um aus ihm das Geld herauszuprügeln.

Die 70er Jahre: Om ist kleiner Statist in Bollywood und unsterblich verliebt in Superstar Shanti. Er träumt von der großen Karriere und dass er das Herz von Shanti erobert. Doch bevor sich seine Träume erfüllen können, stirbt er bei dem Versuch, Shanti aus den Flammen des Studiogeländes zu retten. Gelegt hat das Feuer ihr heimlicher Geliebter, ein Filmproduzent. Die 90er Jahre: Om ist als eitler Kinostar wiedergeboren worden und versucht, den mittlerweile supererfolgreichen Produzenten von damals aus der Reserve zu locken.

Ishaan ist anders. Seine Welt ist bunt und voller kleiner Wunder. Denn der Achtjährige nimmt Dinge wahr, für die andere kein Auge haben. Doch seine Eltern und Lehrer halten ihn für zurückgeblieben und schwer erziehbar. Ein strenges Internat soll das ändern. Nur Vertretungslehrer Ram Shankar versteht den eingeschüchterten und setzt alles daran, Ishaan die Freude am Leben zurückzugeben.

Mit Water schließt die indisch-kanadische Regisseurin Deepa Mahti ihre Trilogie um das kulturelle Erbe Indiens. Der unter extremen Bedingungen entstandene Film erzählt die Lebensbedingungen verwitweter Frauen in Varanasi und zeigt die Unmöglichkeit einer Liebe im Transformationsprozess Indiens der 1930er Jahre.