Daniel Kremer

Torch

Clear Lines of Sight: Sidney J. Furie at Paramount

It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point

The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late Preminger

Drive Me to Vegas and Mars

Ezer Kenegdo

Paralyzed Segments: Suzanne Pleshette Tangled Up in Codes

The Fourth Movement

Love Left the Masquerade: Peter Medak's Cinema of Pretenders

Charles at the Threshold

Love Twice

Looking to Get Out: A Comparative Analysis of the Ted Kotcheff Vision

Xenolith Atlas

Cruel, Usual, Necessary: The Passion of Silvio Narizzano

Elective Vicissitudes: The Radical Exiles of Jules Dassin

Dead Neon: The Many Faces of Lenny Bruce on Film

Ammo for Shooting Clouds: John G. Avildsen Before Rocky

The Idiotmaker's Gravity Tour

A Simple Game of Catch

Jack of Three Trades: In Focus on Nicholson the Director

Points on a Space Age

Countercurrents

Faultline

Equinox Expressway

Sophisticated Acquaintance

Overwhelm the Sky

Danny and the Scatman

Raise Your Kids on Seltzer

Even Just

A Trip to Swadades

The Brando Interregnum: The Decade of Marlon's Dirty Dozen 1962-1972

A Collection of Chemicals

Summer Sacrament

Sidney J. Furie: Fire Up the Carousel!

Survival Scars: Franklin J. Schaffner as Auteur

David Cronenberg Presents Wireless Internet

Righteous Rebel: Rabbi Avi Weiss

Next Week in Bologna

La Vie en Gris: The Anglophone Louis Malle in Seven Pictures

Cinema of the Pilpul: A Talmudic View of Early Holocaust Cinema

Arid Cut

Ben Fries the Slaves

The Wind Blows Where It Wishes

Jim and the Infidels

Now, Irving Rapper