හුස්ම

(Eka Dawasaka Api / එක දවසක අපි) The day Parami appeared on Vimukthi’s eyes he found out that she is the one who he needed to his life. Later, a day with a tension mood these two soul mates get into a train with tears on their faces to ride their last train journey together. But Vimukthi’s family is strongly against to approve Parami as their daughter in law. The reason for disapproving Parami is her cast and status.

A bicycle messenger sees a girl being brutally assaulted and dragged into a van. She immediately calls the police, but unfortunately the girl is found too late. It turns out that the murdered girl has been the victim of a serious sexual crime. Detective Inspector Irene Huss and the rest of the team begin to look for the murderer, but have very few clues to go on. When another young girl is murdered in a similar way, the team realizes that they are dealing with a sexual predator. How does he get in touch with the girls? Why do they agree to meet him? Why are they wearing special underwear?

Sensuous Eva keeps quite a few of the villagers on the go and likes to stir up trouble. But what else can she do in such a sleepy village where even her best friend Katharina no longer has any time for her. When Eva is found dead, the whole village is in turmoil. The presumed killer is quickly arrested: Clemens, the sexton of the local community and a peeping-tom. Katharina becomes more and more suspicious when she finds one of Eva's earrings in the church. Does Christoph - her father - have something to do with the murder of her friend?

Biography of the legendary filmmaker directed by his son.

Featuring speakers of Chinuk Wawa, an Indigenous language from the Pacific Northwest, WAWA begins slowly, patterning various forms of documentary and ethnography. Quickly, the patterns tangle and become confused and commingled, while translating and transmuting ideas of cultural identity, language, and history.

"Strong Boy" is offered a promotion for saving a child from being crushed by a trunk, but to the frustration of his girlfriend Mary, he is not ambitious enough to take a white-collar position. But when he thwarts an attempted train robbery and saves the Queen of Lisonia's jewels, he is viewed as a hero and Mary finally agrees to marry him.

Deadly events unfold around a man racing to his final and most significant act.

Vier Freunde, eine Fremde, keine Hoffnung. Geplant ist ein erholsames Wochenende, das vier Freunde aus der Stadt in einem hübschen Wäldchen verbringen wollen. Dort treffen sie auf ein mysteriöses Mädchen, das auf der Suche nach ihrem Freund ist. Dies ist der Anfang von einem unbeschreiblichen Albtraum, in dem sich die jungen Leute plötzlich befinden. Gefangen in der endlosen Wildnis, durch die das Grauen – getrieben von einer teuflischen Macht – mit unvorstellbarer Kraft wütet.

The making of The Dreamers, its background and relation to the May 1968 student riots in Paris.

Die Familie eines Farmers wurde umgebracht und er wurde zurückgelassen, weil die Täter dachten, er sei tot. Schwer verletzt und völlig verwirrt flüchtet er in die Wüste. In einer Höhle fällt er in einen ohnmächtigen und sehr langen Schlaf. Nachdem er erwacht stellt er fest, dass er sich völlig verändert hat. Höhere Wesen haben ihn ausgewählt und ihm unglaubliche Kraft verliehen. Sie haben ihn zu einem 'Savage' gemacht, einem gottähnlichen Wesen und ihr körperlicher Stellvertreter auf der Erde. Sein Auftrag besteht darin, die von Urmenschen erbaute Dimensionsschleuse in ein Paralleluniversum zu beschützen, die von Michael Burrogh, dem Chef der übermächtigen 'Tital Corporation', entdeckt wurde. Burrogh gedenkt die Schleuse zu öffnen und hinüber zu wechseln, um unsterblich zu werden. Da aber bei jedem Entmaterialisierungsvorgang Zeitbeben ausgelöst werden, die furchtbare Katastrophen nach sich ziehen, muss ihn der Savage stoppen.

Two unsuspecting thieves break into the wrong house and must face a sinister home owner.

A very rare Japan-only video with eleven promo clips.

Painter Gao Yuan’s experimental animation is composed of a series of surreal scenes, based on her acrylic paintings made between 2010-14. Objects and people find themselves in unusual situations where rules of gravity and structure do not apply. The familiar yet unnervingly offbeat scenes are connected through unexpected sounds and rhythms. Under the dim moonlight, the characters are stuck in a dream state from which they cannot awaken.