Ceux qui viendront, l’entendront

In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.

A family faces a difficult farewell after breakfast one morning.

A man in crisis just doesn’t know how to fix things with his conscience.

"It’s not easy to find a foster family for you," an orphanage supervisor explains to nine-year-old Alicia. "After all, you are a very special girl." Alicia is crying. "I’m not special. I’m just a girl." This disturbing scene sets the tone for this film about Alicia, who was taken away from her teenage mother by the Child Welfare Bureau when she was 12 months old. She’s been living in an orphanage since the age of five, and they have never managed to find a foster family for her. In Alicia, we watch as she becomes a teenager, still craving safety and love. Over the course of three years, filmmaker Maasja Ooms follows her daily life up close. Alicia's yearning and powerlessness are palpable in these observations, which painfully reveal the effects of having no prospects.

When the movie opens Devan(Arun Pandiyan) murdering photographer Jeeva(Thalaivasal Vijay) in cold blood in his house. Jeeva strategically positions a video camera to capture the impending murder but Devan never shows his face to it. And when Jeeva shouts out the name of his killer before dying, the audio is lost at that point. While the police search for the killer, Devan zeroes in on Chetta (Saikumar) as his next target. He follows Chetta to Chandigarh but is apprehended by CBI officer Ratnavel(Vijayakanth). But once Ratnavel realises Chetta's true nature, he begins to help Devan, even hiring successful lawyer Chakravarthy(Karthik) to fight for him. The flashback shows that Devan's sister (Kausalya) was killed by Chetta, Devan wants to avenge the death of his sister. In the climax, villain is killed.

This picture shows an old gentleman seated at his shaving table. The razor is evidently giving him a great deal of trouble...

In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.

Quietly competent young Joanna moves with her scatterbrain mother to a country village to take up her first job as District Nurse. She soon overcomes the suspicion of her patients used to someone rather older, while becoming romantically involved with a local farmer - at least until he tries to evict a newly-arrived expectant couple who park their caravan on his land.

A teenage girl faces her obstacle in her love for a talented boy.

A Chinese New Year legend reimagined as a contemporary coming-of-age story.

The plot revolves around a down-on-her-luck woman named Mary whose lack of references makes it impossible for her to gain employment. When a friend falls ill, Mary impersonates her in order to take a job as secretary to an elderly socialite. Things immediately start going downhill when she is tasked to introduce a ne'er-do-well nephew to high society—but ends up bailing him out of a string of scandals instead.

Kostas (Dinos Iliopoulos), a small-time lawyer is tasked with accompanying Smaro (Smaroula Giouli), a young rich heiress, from the country to Athens where she wants to sell her estate. Kostas though starts a day late and Smaro goes to Athens by herself. In the end after much wandering and misunderstandings Kostas will meet Smaro who will fall in love with him.

Ein kleines weißes Kamel versucht verzweifelt an die Zitzen der Mutter zu kommen. Aber die stößt das Junge rüde weg. Da erinnern sich die Hirtennomaden an ein altes Ritual. Sie holen einen Musiker aus der Stadt, und dann geschieht ein Wunder: Mit den Klängen seiner Geige versetzt er die Kamelmutter in einen Zustand der Trance. Sie vergießt Tränen und nimmt den Nachwuchs wieder an.

Eine Multiscreen-Installation, eine bunte Strandbar, die Statue des Heiligen Christophorus – Ein postkolonialer Blick auf die Hafenkante von Flensburg und die Frage, was sichtbar gemacht wird und was nicht.

Musik haben sie einfach alle im Blut. Natürlich vergisst der 75-jährige Stan mit Wirbelsäulenstenose schon mal den Text von James Browns "I Feel Good", was seine Duettpartnerin Dora, Mutter von insgesamt 15 Kindern und Herrscherin über inzwischen 23 Enkel und Urenkel, schon mal aus dem Takt bringt, dafür geht die heiße Coverversion des 87-jährigen Len von "Purple Haze" runter wie Butter...