Sangre en Nueva York

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.

DFW Punk, covering the Dallas/Ft. Worth punk/new wave scene. If you thought Texas in the late ’70s was all about urban cowboys, country tunes and bible-thumping, get ready to be proved dead wrong. 2007, MiniDV.

This film is a mix of landscape images seen from train windows and the patterned shapes and shifting tones of moving-visual-thought thus prompted; it was inspired by Robert Breer's FUJI.

Um ihren teuflischen Plan zur Vernichtung der Erde umzusetzen, entführen der irre Dark Jokester und Unterweltkönig Lisp Luther die Kinder des abgehalfterten Superhelden Superbat, um deren Kräfte zu stehlen. Das kann Superbat natürlich nicht zulassen und trommelt die Avengers of Justice Mitglieder aus alten Tagen zusammen: Jean Wonder, Beaverine, Thorbacca, Spidercat, Lando Fury und El Capitan South America. Bevor es losgeht, muss er allerdings das knochenharte Training von Incredible Master Yoga überleben!

A man and a woman, talking over their relationship.

Franck just had the most crazy and wonderful idea for a company that would finally get him and his friends proper jobs. As Uber delivers food, Amazon daily items, Song Express will deliver songs. To your friends, or your loved one, or yourself, anywhere you want. It is brilliant, it is foolish, it could work… For Franck, Jean-Claude, Sophie and José, Song Express becomes something more than just a professional challenge: it is the dream of a lifetime.

On April 6, 1997, a group of six occult-inspired teenagers from Kentucky and a family of picnicking Jehovah's Witnesses were brought together by fate. A few minutes later, the family was dead, and the teenagers were headed for Mexico.

Maggie and her sister form an unusual bond during an encounter with a young man.

An aging, down-and-out public employee must face the primary school examination.

A love letter to film history, Sickies Making Films looks at our urge to censor movies and asks, Why? By focusing on the Maryland Board of Censors, the nation's longest lasting censor board, we discover reasons both absurd and surprisingly understandable.

Yong-hwa (Sang-woo), Marshall (Lee Eun-mi-I), Ddeok-bae (Do Mo-se) and Bang-wool (Park Joo-bin) steal from Chairman Kang and hide out in a pension in the country. They depend on each other and enjoy every day until Ddeok-bae accidentally loses their bag of money and Bang-wool falls ill. Chairman Kang is closing in on them and the four of them use their specific 'techniques' to start a 12 hour adult program. Will they succeed?

This profile of legendary funk/R&B icon Rick James captures the peaks and valleys of his storied career to reveal a complicated and rebellious soul, driven to share his talent with the world.

Als Bússi, der härteste Polizist Islands, gezwungen ist, mit einem neuen Partner zusammenzuarbeiten, um eine Reihe von Banküberfällen aufzuklären, ist der Druck, den Fall so schnell wie möglich abzuschließen, zu groß für ihn.

When they were young, Min-joo and Seo-yeon cared for each other and were closer than brothers and sisters. However, she accidentally learns about Seo-yeon's tutor, Woo-hyeon, and because of this man, their 10-year friendship starts to become shaky. Meanwhile, Jeong-soo is hurt in seeing Min-joo like that, and so he distanced himself from Min-joo. Because of Min-joo and Seo-yeon's misunderstanding, Jeong-soo who couldn't care much might just leave so Min-joo tries to break up with the help of Seo-yeon. While in the process of breaking up, Min-joo and Seo-yeon went back to their close relationship. The love of women who have been separated because of man, and the two men's friendship is comically drawn.

About the partisan movement during the Great Patriotic War.

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.