Il Giorno Del Jujitsu

The tired man standing on the platform is 27-year-old Ayumu Ueno. Facing an unwelcome trip to his childhood home, he goes to light a cigarette. What he finds in his pocket, however, is a jujuba fruit. The shiny red skin brings back vague memories of his second mother, Rèn Shìróng. Born in the Sichuan province of China, jujuba fruits were her favorite snack. At the time, he didn’t want to call her “Mom,” so at his father’s suggestion, she became “Sis.” As he thinks back on Sis, past and present meet, drawing us into a world neither dream nor reality. –"People can never really understand each other. Thinking back, I feel this way because of my former mother-in-law. That time, when Kansai dialect and Sichuan Chinese flew back and forth around me and I called my mother Sis, is recreated on expired 8 millimeter film. The expiration date of the film used is the same year that she walked out on us."

The early retired Gert spends the last summer in his garden, a place that has become a real home for him. The garden will be demolished to create a shopping center on its grounds. The only thing Gert can do is remember memories of happy times he spent with his family in the garden.

I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.

When the immortal spirit of his evil uncle is unleashed, Sultan Suleiman and a Ukrainian girl Nastya, who was abducted from her home and forced into his Harem (were she was named Roxelana), embark on a quest together to acquire a number of magical relic weapons needed to retake control of the Ottoman Empire.

Alix Miller arrives at the isolated Crompton mansion in New Hampshire to paint the portrait of the mysterious Leland Crompton. When they meet, she discovers that he is horribly disfigured from a disease called acromegaly. Nevertheless, friendship, romance, and a deeper understanding develop between the two.

The Statue of Liberty in right profile; No people, no flags rippling in the wind, no seagulls flapping past to mar the unmoving image of the Statue of Liberty.

Eine Leiche in der Saale gibt den beiden Hauptkommissaren Zorn und Schröder Rätsel auf. Der Tote war Staatsanwalt Meinolf Grünbein und lebte völlig unauffällig. Während sie Antworten auf die vielen offenen Fragen suchen, wird Schröder angefahren. Der flüchtige Fahrer ist Strafverteidiger und hat eine Gemeinsamkeit mit dem toten Staatsanwalt: Beide waren in einen Prozess um den vermögenden Geschäftsmann Elias de Koop involviert. Nur ein Zufall? Neben dem Job hat Zorn auch noch Probleme mit Malina, die einen Freund bei sich einquartiert hat. Zorn bekommt seine Eifersucht einfach nicht in den Griff.

Adapted from a popular 'three dime novel' the story revolves around two down-and-out buddies, one streetwise and quick-witted the other naïve and kind-hearted. This oddball duo go through up and downs and eventually get their break in life.

Nachdem er versehentlich Insektenspray eingeatmet hat träumt Micky von haushohen angreifenden Insekten.

Prostitutes of old age make their living in Praça da Luz, in São Paulo. Unusual and surprising accounts of five women who reveal in detail their experiences in all these years of profession.

Her Name Was Torment II: Agony is a bigger, meaner exploration of things only hinted at in the first film. A deep dive into extreme gore and horror featuring explicit sex and graphic visceral violence.

The making of The Dreamers, its background and relation to the May 1968 student riots in Paris.

This short film follows a man lost in the woods driven by his fear of the unknown.

Rachel Whiteread has created some of the most remarkable and resonant public sculptures of recent years. House (now demolished) cast in concrete the interior of a terraced house in London's East End. Holocaust Memorial is a moving memorial in Vienna to the victims of the holocaust in Austria. Yet she also frequently works on a domestic scale, casting in plaster and resin the spaces inside, around and beneath furniture, floors and staircases. Her art is a uniquely poetic response to the everyday, and to the haunting themes of memory and mortality. In this video profile Rachel Whiteread speaks about the ideas that prompted a number of her best-known sculptures, including Ghost, her first cast of the space inside a complete room, and Monument, which established a shimmering presence in London's Trafalgar Square during the summer of 2001