Estorvo

In a digital world, can analogue find true love? It is the wise old gramaphone who has the answers for a lovesick loner.

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.

Through a haze of smoke, coke, and booze; possible futures, pasts, and presents coalesce chaos inside the mind of a man drifting directionless through life. When your future calls, what will you have to say?

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.

An elder brother who lived a life of crime but left to show his younger brother the lifestyle is not fit for anything. Years later his younger brother takes his footsteps in the life of drugs/crime, to a deal gone wrong his younger brother is murdered, his elder brother steps back into his crime ways and to find and avenge his younger brother's death.

Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.

In der zweiten Folge des gleichnamigen Manga setzt der ehemalige Scharfrichter Ogami seinen blutigen Rachefeldzug durch das Japan des 17. Jahrhundert fort, um den Mord des Yagyu-Clans an seiner Frau zu rächen. Jedoch versucht auch der Yagyu-Clan die Ausrottung von Ogamis Familie perfekt zu machen und bekommt Unterstützung von den amazonenhaften Kriegerinnen der Akashi-Yagyu. Der "einsame Wolf" begegnet den hinterhältigen Angriffen mit seiner überlegenen Schwertkunst und geistiger Stärke. Wieder nimmt er einen Mordauftrag an, der der ungerechten Machtgier des Shoguns entgegenwirken soll. Doch das anvisierte Opfer wird von den drei "Todesgöttern" bewacht... (Quelle: arte.tv)

An ordinary high school student– with an incontinent grandmother and extremely horny dad, are visited by an extremely pretty avatar to preform a “mind transfer” on Grandma. But before too long, Dad’s sniffing round to get it on with the great-shaped avatar.

Making-of zu James Cameron's Avatar. Der 22 minütige Clip zeigt interessante Einblicke in die Arbeiten am Set.

Tony Stark ist Iron Man. Nach der Öffentlichmachung dieser Doppelidentität sonnt sich der selbstverliebte Egomane in seinem noch jungen Ruhm als eiserner Weltenretter. Die Eröffnung der eigenen Expo inszeniert er wie ein Popkonzert, den Begehrlichkeiten des US-Militärs hinsichtlich seines Kampfanzugs erteilt er bei einem Untersuchungsausschuss vor laufenden Kameras eine arrogant-zynische Absage. Erst als ihm der russische Physiker und Exsträfling Ivan Vanko bei einem Show Grand Prix in Monte Carlo die Grenzen seiner Erfindung aufzeigt, bekommt Starks ehernes Ego erste Kratzer. Dazu kommt eine von Starks lebenswichtigem Minireaktor ausgehende Paladium-Vergiftung, die, sofern er keine Ersatzquelle auftut, unweigerlich zu seinem Tod führt.

A lonely man finds himself bedeviled by a malevolent force. But is it real or just all in his mind? (ALTER)

Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.

Arvind Chauhan and Lakhsmi are in love with each other. Lakhsmi's dad, a senior police inspector, hates Arvind, and so Arvind and Lakshmi decide to elope

Call-center workers receive a phone call from God.

A young woman lives sadly in a small garrison town with a soldier. Little by little, won over by boredom, sadness, total inaction, she develops a relationship with plants and starts talking to plants.

Produced by WGBH-TV in Boston, THE MEDIUM IS THE MEDIUM is one of the earliest and most prescient examples of the collaboration between public television and the emerging field of video art in the U.S. WGBH commissioned artists – Allan Kaprow, Nam June Paik, Otto Piene, James Seawright, Thomas Tadlock, and Aldo Tambellini – to create original works for broadcast television. Their works explored the parameters of the new medium, from image processing and interactivity to video dance and sculpture.

Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.