Time to*Shine

Shit goes down when a coward has to face his own cowardice.

Documentary about the making of the 1980 German television series.

Stan Lee and Len Wein talk about X-Men & Wolverine.

"I'm gay, I'm a fag, I'm proud and I really love sex."

A documentary about an old animation technique and the film studio that tries to carry on the legacy. The worlds oldest animation studio still making film with stop motion technique is Nukufilm located in Tallinn, Estland. Here we can follow the work in the studio which was founded in the Soviet era and has survived heavy censorship and global competition.

A pair of urbanites embark on a 4000-mile bicycle ride in search of the last wild place in America; to their dismay they find it. Set in the wake of America's great western expansion, the film is a portrait of bike touring and a meditation on wilderness.

HE and SHE meet exactly at the same time they break up with their own couples... Is it possible for two strangers to begin a conversation full of recriminations, arguing until they get hoarse, and passionately reconcile as if they were a couple in the end?

Der Tod seines Vaters veranlasst den Weltenbummler Hans Hummel zur Heimkehr nach Berlin, um sein Erbe anzutreten. Der alte Herr hat seinem Sohn nicht nur ein Millionenvermögen hinterlassen, sondern auch ein Rätsel aufgegeben. Darin spielen ein Koffer, ein Computer und die Nachbarsfrauen eine große Rolle: Großmutter, Mutter und vier bindungswillige, hübsche Töchter bemühen sich um Hans im Glück. Hans liebt aber die fünfte Tochter, Johanna, die sich zugleich als die weiseste von ihnen herausstellt. Doch Johanna will keinen Millionär heiraten. Auf seine unnachahmliche Weise erzählt der Autorenfilmer Rudolf Thome eine moderne Version des Märchens von Hans im Glück. Johannes Herrschmann verleiht dem verlorenen Sohn sympathische Züge.

A couple of guys dancing.

With a mandatory sleep schedule enforced worldwide, one outlier invents new ways to connect with his sleeping family.

The documentary by Mari Soppela focuses on glass ceilings, a metaphor for the invisible borders between men and women in work life. Talk about glass ceilings is usually associated with women’s opportunities to advance to well paid managerial positions, but the documentary connects itself more broadly to the structural problems of work life from women’s perspective. Glass ceilings are long trials about equal pay, having to continually prove one’s skills, and 85-cent euros. The topic cannot be handled without intersectional crossings: what are invisible glass ceilings for some, are solid concrete for others.

"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.

A behind-the-scenes look at the making of Sofia Coppola's Marie Antoinette (2006).

Taiwanese fantasy film from Yu Han-Hsiang, director of REVENGE OF THE SHAOLIN KID (1978), BURNING OF THE RED LOTUS MONASTERY (1982) and THE DWARF SORCERER (1974)

Gilang, a young man, feels emotionally overwhelmed after breaking up with Ayu, his longtime girlfriend. Hoping to clear his mind, he decides to meet his friends at a café called Scrt. What begins as a casual gathering turns into a quiet journey of reflection and newfound hope amid his inner turmoil.

The host of a children's television show aimed for creativity starts experiencing burnout after needing to force that creativity every day.

Something Strange in Strangetown is a short horror machinima that follows the unexplained events unfolding in the desert town of Strangetown. After a series of strange lights appear in the sky, several Sims go missing under mysterious circumstances. The story focuses on one Sim's attempt to uncover the truth, only to discover something far more disturbing — and inhuman — than expected.