When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
A gray wolf raised on a farm kills the family dog, and to save him from being destroyed, a boy named Lasset makes a trek through the wilderness with the wolf to a wilderness sanctuary 300 miles to the north. The BGM in the film consists entirely of Dvorak's Serenade for Strings, making it perhaps the only anime since Gauche the Cellist to make use of a single piece of classical music as the soundtrack. The plot of the film is simple and the outcome obvious, but the atmosphere of the film is genuine, and it is very moving in parts thanks to Dvorak's music (which is scored entirely for the most emotional of the instrument groups, the strings). This is a straightforward drama about the friendship between a boy and his wolf, and it pushes all the buttons you'd expect, but it's very enjoyable despite all that.
The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.
A portrait of teen escort, 'Coco'.
Radio host Gia rules the Los Angeles airwaves with her disarming tales of sex, lust and intrigue. But when one caller seems to know a few too many details of Gia's titillating past, the sexy DJ is soon plunged into a world of blackmail and danger. While the police struggle to make sense of the befuddling case, Gia must fight to keep her sordid past silent as the threat mounts in this erotic thriller.
Reflection is a short film that reflects how others see us in relation to who we actually are, and that nobody is or ever will be perfect in others' eyes. As Lamis closes her eyes she realizes that everything that happens in her head isn't true, and that she shouldn't compare herself to other people, and not everything we see is the truth.
1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.
Biography of the legendary filmmaker directed by his son.
During the Japanese occupation, Little Tiger, an honest cook in Shanghai, takes exception of two Chinese that pass from insult to sexual harassment against a beautiful and modest girl servant. During the fight, the pair of molesters receive help from a number of colleagues from the same martial arts school - who are in support of the Japanese - while Little Tiger is helped by young men from his own school. A major fight develops, and the cook accidentally kills one of the thugs. The Police comes to arrest Little Tiger and to close down his school, but they resist and the cook escapes. Little Tiger is now a fugitive, living in disguise. When a duel between the two rival schools is arranged in an open-air site, Little Tiger is watching disguised as an old man, but he can't resist. He takes off his false beard, declares his name, and demands to join in the competition - beating up all competitors.
Von Kindesbeinen an glaubt Arnold, ein Außerirdischer zu sein. Tagein, tagaus beschäftigt er sich mit dem Versuch, einen Flugapparat zu bauen, der ihn endlich "nach Hause" bringen soll. Beschützt von seiner Mutter Ida und deren langjährigem Verehrer, dem Landarzt Emil, gilt er in seinem Heimatdorf als schrulliger, aber liebenswerter Außenseiter.
A team of celebrities head out on a quest to search for the Bigfoot, unaware another group of time traveling women from the future are also looking for the creature.
The stern, but kind-hearted, Kristiana from the country takes place as a maid with the Larsson family in Stockholm, previously (in)famous for its rapid turnover of housemaids.
Eine Ziege hatte sieben junge Geißlein, die sie liebte, wie eine Mutter ihre Kinder nur lieben kann. Als sie eines Tages ein paar Besorgungen zu machen hatte, mussten die Kleinen ihr fest versprechen, niemandem die Tür zu öffnen. Kaum war die Mutter aus dem Haus, klopfte auch schon der böse Wolf. Doch die klugen sieben Geißlein ließen ihn nicht herein, wie ihre Mutter es ihnen aufgetragen hatte. Aber so leicht gab der Wolf nicht auf und heckte sogleich einen schlauen Plan aus, mit dem er die Geißlein überlisten und in das Haus eindringen wollte.
Diese Dokumentation porträtiert den Kampf von Minderheiten im kanadischen Nova Scotia im Kampf gegen die Umweltverschmutzung durch tödliche Industrieabfälle.
1976 begann Francis Ford Coppola auf den Philippinen mit den Dreharbeiten zu "Apocalypse Now". Aus geplanten 6 Wochen Drehzeit wurden mehr als drei Jahre, und das hatte viele Gründe: Harvey Keitel wurde von Coppola gefeuert, sein Nachfolger Martin Sheen erlitt einen Herzanfall, der philippinische Bürgerkrieg brauch aus und dann zerstörte ein Taifun fast alle Requisiten. Für Coppola und sein Team wurden die Dreharbeiten zu einem Alptraum...
Über 15 Jahre arbeitete das Ehepaar Ravech/Robertson an der Dokumentation über besonderen Familienzusammenhalt, Mut und Überlebensinstinkt. Im Mittelpunkt stehen das Eisbärmädchen Nanu und das Walrossmächen Seela. Realistisch, spannend und hautnah begleitet die Kamera die zunächst noch kleinen, süßen und hilflosen Jungtiere Nanu und Seela, die von ihren Müttern liebevoll beschützt und im Kreise ihrer Cousins, Großmütter, Großväter, lieber Tanten und böser Onkel auf das Überleben vorbereitet werden. Nahezu heldenhaft entwickeln sie sich zu überlebenswilligen Giganten, umgeben von Polarfüchsen, Seehunden, Möwen, anmutigen Narwalen und Dickschnabellummen. Nanus und Seelas Familien mögen in der Natur Rivalen sein, doch eines haben sie gemeinsam - sie müssen sich der Natur anpassen und neue Wege gehen. So schnell der Winterspeck sie tragen kann...
Budget | 3.000,00 $ |
Revenue | 26.000,00 $ |
Origin Country | BR |
Original Language | pt |
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Production Companies |